Showing posts with label abstract. Show all posts
Showing posts with label abstract. Show all posts

Thursday, 21 August 2014

Recent work, August 2014 (Thaw)































detail:



































































































Sacred Pitch








































detail from a work in progress


Monday, 1 April 2013

Tuesday, 17 April 2012

Wednesday, 29 February 2012

Latest work, "Blush For Naught"



























"Blush For Naught"
small Spring abstract
12 x 10 "
oil on canvas
view on etsy

Tuesday, 31 January 2012

£1,483 funded; £302 to go!




Very exciting times! We are approaching our target with just three days
remaining on the "We Did This" Crowd Funding site!




£1,483 funded; £302 to go!  
This will secure the lease for the Old Lock Up studio for the next six months.
































original painting by Rachael Pinks
Online gallery here




Rachael in her studio





Thanks so much to everyone who's contributed,
either directly or by purchasing paintings and prints 
from my etsy shop. At least 50% 
of any art sales I make up to the deadline on February 4th 
will go towards this project.  

Many thanks too to all 
who've helped to spread the word!



Sunday, 29 January 2012

Wednesday, 18 January 2012

High summer revisited, mid-January

Summer Storm (II)
oil on gallery wrap canvas, 12 x 10 inches
Here I was revisiting an older painting idea, 
but aiming for a slightly different look, darker and more loose with less clearly defined shapes.










I

























 I don't normally post such large closeups at full size but in this case I think it's necessary as my camera doesn't capture the effect of looking at the complete painting well at all!  I suppose that's only to be expected as it only has one lens for a start- like listening to an elaborate stereo track in mono!  
Violets and mauves are notoriously elusive, a camera really can never properly replicate the optical blending effects within our visual systems.  The experience of standing in front of a painting is so much more of a rich, multisensory experience. I hope one day to be able to have short video clips (in 3d?! hmm...) ranging over the painting, rather than static shots only. 


etsy link

Tuesday, 17 January 2012

New work, mid-January: Iced Summer, Enivrez-Vous, Bright Young Thing (ii)





Iced Summer
view on etsy (opens in new window)











Enivrez-Vous (large detail)

























Bright Young Thing (II)
etsy



Friday, 2 December 2011

New silver clay ring

























Here's a new ring-in progress, formed by
carving the silver clay at the dry stage.
After firing in the kiln it was dipped in
Liver of Sulphur solution to darken the lower
areas giving greater contrast to the burnished
upper surface.


















Part way through the carving process I began to make
smaller scored lines and notches in some areas trying
to echo and amplify the lines and irregularities seen in
the surface of the fingers. I like the idea of pieces that
sit well with the characterful fissures of use and age.
This is one interesting aspect of making it up as you go
along, you allow space for new things to come up.
I was also using the irregular slight dips and hills of the
simple clay shape to determine where and how I was
carving into the clay. The deeper carved areas set up
natural weaknesses and tensions in the clay which can
cause cracking when you fire the piece, and this happened
in one place on the inside surface.
but this can easily be righted by refiring with oil paste
in the gap, which forms a very strong bond fusing with the
surrounding metal.


The look here is influenced by work
made using lost wax casting technique, something I
would love to have experience of and access to, but with
silver clay I enjoy that you often find your own ways around
technical difficulties to make a fine silver object without much
equipment, it can all be done in a very small kitchen.



more silver clay jewellery here

metal clay info



Tuesday, 15 November 2011

New painting, "Ambergris"




























11 x 14 oil on canvas board.


details:




























































































view on etsy




Monday, 14 November 2011






Details from work in progress:




















































This first is a more "alchemy-influenced" painting,

-which feels as though it marks the coming of the dark half of the year,
a possible time for occultation, and finding strength deep inside oneself.
In the fog and murk one might at least stumble upon a new direction.
"Honour thine error as a hidden intention" as the Oblique Strategies card set
has it.

I'm currently exploring Taoist alchemy http://www.goldenelixir.com/jindan.html





















































Tuesday, 18 October 2011

New painting, "Caw and Clatter"







































This is part of a series using gestural large brushstrokes in blackboard paint, with oil colour overlaid with painting knives.  It's partly inspired by the sounds made by corvidae and other birds in and around the trees in autumn.   
The painting is available via the Tarpey Gallery.

Friday, 7 October 2011

Apple Day Preparations...


































Apple Day (I)
oil on canvas, 5th October 2011











First of a new series celebrating Apple Day, officially October 21st, but will be on Saturday 22nd here in Cromford, much better for families to join in with apple pressing, games and general apple-based mayhem! 
This event  highlights the need to protect older trees and orchards as both habitats and
producers of heritage or heirloom apples and encourage the growing of less widely
known varieties .
The local independent bookshop, Scarthin Books, has supported Apple Day with
its own celebrations including apple pressing outside on the Promenade at Cromford
for some years.  This year for the first time they are inviting local artists to display their
work there a la Rive Gauche!
Any sales I make will include a 20% donation to
Common Ground.

A few more relevant links are...

orangepippin


The Orchard Network (UK)

Monday, 19 September 2011

Work in progress, mid -September


































New impasto abstract, "Red Queen In Autumn"











































Oil on Canson Figueras sized painting paper, 40 x 36 cm.  



... and a couple of details:



































































These details will lead to further paintings I think, this time..   I need to explore working with broader strokes using larger brushes or ideally larger painting knives.

Loving my new Mameiri Classico Cadmium Red Light.

The title also refers to an Italian "giallo" film, "La Dama Rossa Uccide Sette Volte", English title "The Red Queen Kills Seven Times".  It has a brilliant  Bruno Nicolai soundtrack which I've been listening to a lot lately.  I find a lot of his work autumnal, in an exciting blustery way.  Here's a highlight, 


Red Queen In Autumn  etsy link






Saturday, 17 September 2011












Leafing through a book on Australian art this afternoon I chanced upon a small image of Ian Fairweather's Monsoon.  
Wonderful work! I wish I could find more about this artist on the web. 
Please let me know if you have other links to images/ info. Thanks!


http://www.couriermail.com.au/entertainment/arts/bribie-island-hermit-ian-fairweather-shunned-fame/story-e6freqkf-1225848379708
http://www.evabreuerartdealer.com.au/artists/ian-fairweather/ian-fairweather-1891-1974