"When the green woods laugh with the voice of joy, And the dimpling stream runs laughing by; When the air does laugh with our merry wit, And the green hill laughs with the noise of it;
When the meadows laugh with lively green, And the grasshopper laughs in the merry scene; When Mary and Susan and Emily With their sweet round mouths sing 'Ha ha he!'
When the painted birds laugh in the shade, Where our table with cherries and nuts is spread: Come live, and be merry, and join with me, To sing the sweet chorus of 'Ha ha he!' "
-William Blake, 'Laughing Song', from 'Songs of Innocence'
A number of interesting musical settings to Blake poems, by Jeff Gillett, are here: http://www.youtube.com/user/JandEGillett#p/u/4/M9pvcWA8fYA etsy link
Two new small paintings on canvas board. I love the matte black of blackboard paint as a ground! I also love red oil stick, as it has a density and archaic sort of feel that encourages boldness. The metallic lines are made with contour paste or relief markers used for glass painting. These come in tubes with narrow nozzle tips making them irresistible as drawing implements! etsy link etsy link
I love the name too, and the particular flora-drama described of petals of a rich
reddish purple fading to pale papery lilac! These recent works are full of the
sense of anticipation about Spring. Come on, Spring!!
l'Ondee
oil on canvas board, 20 x 16
I've been reading up on classic older perfumes, and I love finding out about
their histories, meanings and evocative descriptions. Although I should say I have no sense memory of the perfume itself, at least as far as I know, the poetry of the description is very inspiring. "Apres l'Ondee" (Jacques Guerlain, 1906) ("after the heavy rainshower" doesn't evoke the same poetic mood as the original French, does it? ) inspired the titling of this new painting. I wanted to keep a sense of fragility and ambiguity, as in Nerval, a dreamlike feeling that draws you in rather than defining itself too clearly. In this aspect, this transitional state between landscape and portrait, the painting owes a debt to and is a conscious tribute to the great contemporary Russian painter Andrey Aranyshev.